Oregon Volunteer Lawyers for the Arts

In Defense of Art

In Defense of Art is the official blog of Oregon Volunteer Lawyers for the Arts

Copyrights for Music, Part I

Today’s post will cover some important fundamentals of music copyrights. Unlike most creative works, which are generally protected by a single, over-arching copyright, recorded music is covered by two copyrights: one for the composition, and one for the sound recording. Understanding how the two copyrights differ, and how they interplay with each other, is important to understand the music industry and the protections that music copyright owners enjoy.

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How Much ‘Minimis’ is de Minimis?

A copyright grants protection to the owner against any work which is “substantially similar” to the copyrighted work. This includes not only copying, but recreations of a copyrighted work as well. For instance, if you were to replicate the exact setting and elements of a particular photograph and recreate the picture using your own camera, you may be infringing on that photograph, even if you aren’t making an actual copy of the original. This is a powerful protection given to copyright owners, but it isn’t limitless. One of the limitations to this protection is known as the de minimis doctrine—literally, copying of such a trifling amount that the law need not be concerned. This week, we’ll cover what the de minimis doctrine is and when it may apply.

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Online Content Sharing, Part III: Is It Working?

The Digital Millennium Copyright Act (DMCA), in particular the section 512 safe harbor provision, fundamentally changed how content is shared on the internet. As we discussed in Part I, the safe harbor attempts to incentivize service providers places where content can freely be shared online without destroying the copyright holder’s hopes of protecting his intellectual property. The takedown notice and counter-notice procedures we discussed in Part II attempt to provide an effective but balanced way to enforce copyright protections online without subjecting the process to abuse. This week, we’ll address the question: is it actually working?

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Online Content Sharing, Part II: Takedown Notices

As we noted in Part I of this series, one of the challenges for copyright owners who find their material posted online is finding the individuals who posted it. To combat this problem, the safe harbor provision requires service providers to have a system in place by which copyright owners can request that allegedly infringing material be taken down. It is up to service providers to determine the best way to accept such notices, bearing in mind that removal of content must be sufficiently expeditious.

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Online Content Sharing, Part I: Safe Harbor

According to an annual study by Cisco, within three years, 85 percent of American internet consumption will be watching video, nearly all of which is protected by copyright. While most online video is licensed from the copyright holders, some of the most popular websites online are not content creators or licensees, but “online service providers” like YouTube, which allow users to post their own material and share with the world.

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In Defense of Art

In Defense of Art is the title of Oregon Volunteer Lawyers for the Arts’ blog, and our motto. OVLA is here for you. Got questions about your art that you want an experienced lawyer to answer? Our volunteer lawyers are here for you.

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Lydia Loren
Fine Art Consignments: What to know when selling “fine art” in Oregon

When you bring your art to some third party to sell, that is called a consignment. Oregon law provides powerful, unwaivable, rights for artists (or their heirs) who sell their fine art through third parties. This article addresses important definitions contained in Oregon’s fine art consignment statute, what loss or damage may be covered by the law, when payments must be made after a sale, ownership issues, purchaser information, and necessary contract terms. 

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